I’ve added a couple magazines that have featured Drew in 2020 to the gallery. Enjoy.
The Amy Fisher Story will be released on DVD on December 17 via Kino Lorber Studio Classics. Produced by ABC, the 1993 made-for-television movie is based on Amy Fisher’s deadly affair with Joey Buttafuoco.
Also known as The Long Island Lolita, the true crime film is directed by Andy Tennant (Hitch, Sweet Home Alabama). Drew Barrymore, Anthony Denison, Harley Jane Kozak, Tom Mason, and Laurie Pato star.
The Amy Fisher Story is presented in its international theatrical version, which features scenes that were too graphic for television. Extras are listed below.
Special features:
• Audio commentary by film historian Sally Christie
• Additional nude scene
• TrailersOn May 19th 1992, 17-year-old high school student Amy Fisher (Drew Barrymore) fired a bullet into the head of Mary Jo Buttafuoco (Laurie Paton, the wife of the bodyshop owner with whom she claimed to have been having a sexual affair. But in the explosive media frenzy that followed, did the truth become the most innocent victim of all? This is the sensational true story of lust, greed and obsession that shocked the nation. Barrymore stars as the notorious “Long Island Lolita,” the scheming teen from an unhappy home whose torrid relationship with Joey Buttafuoco (Anthony Denison) led to a shocking suburban nightmare of prostitution, murderous assault and attempted suicide.
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Over the summer, the actress had filmed a pilot for the syndicated show, which is set to launch in fall of 2020.
Drew Barrymore is officially coming to daytime TV.
The actress will headline and executive produce a syndicated talk show for CBS Television Distribution, set to launch in the fall of 2020, it was announced today.
The news comes after Barrymore, who recently starred on Netflix’s zombie comedy Santa Clarita Diet and was one of the judges on CBS’ talent competition The World’s Best, filmed a pilot for the potential program in August.
“It is beyond my wildest dreams to have this opportunity for a daily talk show,” Barrymore said in a statement. “I’m truly thrilled and honored to be creating this show with CBS.”
Steve LoCascio, CBS Global Distribution Group chief operating and financial officer, added, “Drew is a huge star and a breath of fresh air — her show will energize any station’s lineup. We’re looking forward to working with Peter Dunn and the CBS Television Stations group to launch this premium show in fall 2020.”
The CBS Television Stations group has signed on to anchor the launch of the show and will air it in markets such as WCBS-TV in New York and KCBS-TV in Los Angeles.
“We are very excited to be in business with Drew Barrymore and have our stations serve as the launch group for a show that is the brightest prospect I have seen in many years,” said Dunn, CBS TV Stations president. “We look forward to giving Drew and our colleagues at CBS Television Distribution our full support to help this show strike gold with our audience and advertisers.”
Barrymore joins a star-studded syndication market that this season launched daytime talkers hosted by Kelly Clarkson (from NBCUniversal), Tamron Hall (Disney/ABC) and Mel Robbins (Sony) as well as Jerry Springer court show Judge Jerry (NBCU), the Meredith Vieira-hosted game show 25 Words or Less (Fox TV Stations) and America Says (Sony).
Nick Cannon is also set to launch a syndicated talk show next year from Lionsgate’s Debmar-Mercury.
Joining Barrymore as executive producers on her show are Chris Miller and Ember Truesdell, who also executive produced Santa Clarita Diet. Barrymore is also an executive producer on Elizabeth Banks’ upcoming Charlie’s Angels movie and stars in and executive produces the rom-com The Stand-In.
The actress previously had discussions with Warner Bros. TV in 2016 about a daytime talker, but the project never came together.
CBS TV Distribution also syndicates talk shows Dr. Phil — which has been the top-rated daytime talker for three years — Rachael Ray and The Doctors, along with court shows Judge Judy and Hot Bench, game shows Wheel of Fortune and Jeopardy (both produced by Sony) and newsmagazines Entertainment Tonight, Inside Edition and DailyMailTV.
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“I was overworked, stressed, and fantasizing about what a different life would be. Shortly thereafter I started having kids. That’s one way to have a major life change.”
My first InStyle cover was in 1999, and I remember that day so well. I was having the worst hair day, but we finally got it to a better place. I actually had a date that night with an actor. I was so excited to go on a date with this guy with good hair, but it turned out that the hair was much better than the date.
September 2000 was my second InStyle cover. My hair had grown out. Hair is obviously a very big thing with me. That time it was red; I just love red-toned hair. It’s so flattering to the skin. If I ever see a redheaded girl, I’m like, “She’s so hot.” Matthew Rolston shot that cover. He was a good friend of mine, and I think it’s nice when a photographer makes you look like yourself. It’s always alarming when you see photos and think, “That doesn’t look like me.”
InStyle gave me the best arms, though. [laughs] The photoshopping department must see my arms and be like, “Oh, Jesus, we need to go to work on those things.” I got photoshopped arms in my September 2006 shoot with Ellen von Unwerth, although I was thinner then. Younger, thinner — that’s how it goes. I love Ellen’s photography; she knows how to make a woman her very sexiest without ever looking trashy or slutty. She makes everything highly sexualized with a wink and a lick and a deliciousness where women get to celebrate who and what they are.
By the time of my fifth InStyle cover, in October 2009, I had just directed Whip It, really the only film I’ve made, and I was filming Going the Distance. I said I was thinking about quitting the business. I had just done Grey Gardens too. I was overworked, stressed, and fantasizing about what a different life would be. Shortly thereafter I started having kids. That’s one way to have a major life change. The best one I’ve ever had in my life.
When I had my first daughter, Olive [in 2012], I was terrified all the time. I wanted everything to be perfect. It’s the most high-wire, high-stakes, scariest, beautiful, important thing you’ll ever do. I couldn’t sleep or eat. I’ve never cared so much about anything. I’ve got two daughters now [Frankie was born in 2014], and they’re very different. You realize this is about their journey, and you’re there to keep them safe, keep them laughing, and help them figure out who they want to be. I still feel like I have so much to learn, but we’re having the time of our lives. Maybe they’re just getting better, or maybe I am.
I felt the most beautiful right after the birth of my daughters. My 2015 cover reminds me to be bold and expressive and not too body-conscious. My daughters are 5 and 7, so they love their bodies at this point. I think we all did at that age because we weren’t inundated with societal messages or comparisons. I was built to have these girls, and I have never fallen prey to the Hollywood stigma about how a woman is supposed to look. That’s the dumbest thing. I love girls and women. They rule my universe.
I didn’t know who I was yet in those earlier covers. I still had so much to learn. It’s cool if you can look at your life and be excited about where you’re going and where you’ve been. If you can realize that you’ve fucked up and made good things happen along the way. If you can reflect on bad romances or good romances, all of them fun. Seeing your life through photography, social media, fashion — it’s not supposed to look perfect. It’s supposed to reflect who you are. If I could go back to my first InStyle cover shoot and tell myself one thing, it would probably be: “It’s not going to work out on that date tonight.”
How I’d describe myself:
In 1999: Love junkie, Dog lover, No idea where it was all headed
Today: Phew, Yay, And Still a Nerd
Is it any surprise that her most personal project is also the cheeriest?
Drew Barrymore’s been dreaming of this toy chest for years, ever since it was yanked from under her at a flea market. “Another woman got to it first, and she would not let me have it,” Drew says. “I couldn’t barter this woman out. She was like, ‘I don’t care who you are or what you have—this is going home with me.'”
As soon as you see it, you get why this container’s been the One That Got Away: It’s sunshiny yellow, with a bold rainbow across the top, and just spacious enough to clear up a cluster of toys that’d normally cover a kid’s floor, becoming booby traps for parents in the middle of the night. It’s no wonder that when Drew decided to expand her Flower Home line into kids’ furniture and décor, creating her own riff on the chest was at the top of her list.
With more than 100 items in the collection—from bedding and art prints to melamine, vintage-inspired cups and plates—the actress/entrepreneur carefully considered each piece, selecting each design with the hopes that it’d shake up the monochrome, neutral, “Do kids really live here?” trend in the industry. “Something that always made me feel crazy was how un-colorful kids’ lines were,” Drew says. “I wanted to create something that I felt I couldn’t find as a parent out there. I wanted a lot of joy. ”
Though the products are mass-produced—all available now at Walmart, Hayneedle, and Jet.com—she wanted each piece to feel personal. That’s why each print has its own frame, custom-selected to go with the art, and you’ll never see a plain white lampshade.
“I feel like that’s just something you can find anywhere, and if I think I’ve seen it, or I think it’s easily available, I don’t want to do it,” she explains.
For a sense of cohesion, Drew stuck to a few specific themes, which she divided into rooms in the sneak peek video above. There’s a jungle room, meant for young explorers; a galaxy room, complete with fluffy, cloud-shaped headboards and a very David Bowie-meets-Atari lightning bolt bedspread; a rainbow room that’s every bit as vibrant and cheery as the name implies; an animal room, for all of the pet lovers out there; and a room devoted to Drew’s favorite color to decorate with: pink.
“I loved getting to do a room that was so absolutely feminine,” she says, noting the strawberry bedding and ballet-slipper-pink bed frame (also available in light wood), which is framed to resemble the outline of a classic, triangle-roofed home. “I love the house bed, because kids can create such a world within it.”
The 50 First Dates star drew inspiration from her own walls, too. That rainbow print in a child’s scrawl is an actual note Drew’s daughter gave her as a birthday present one year. A friend asked her daughter questions about her famous mom, to which she answered: “She says, ‘My mom’s name is Mom,’ and ‘my mom’s favorite food is salad.’ She also says that I live in Las Vegas, which—I don’t know, I’ve never lived in Las Vegas—but I like it,” Drew says. “This piece is probably the one that makes me cry the most. It’s very emotional.”
That’s the thing about Flower Kids—yes, it’s playful, as anyone who sees the alligator toy trunk or the massive, pear-shaped bookshelf can attest—but it’s got soul. There’s a reason for each piece’s existence, one that’s not just about boosting Drew’s bottom line. (In fact, she’ll readily admit her insistence on a custom frame for each type of wall art isn’t very “fun from business-margins perspective.”)
At the end of the day, she’s approaching every piece as a parent: “What is the theme of your kid, and their passions, and their curiosities?” she asks. “Design-wise, to feed into that and create a space for them that amplifies and encourages what they’re interested in, is really important.” Without pausing, she smirks: “But it’s got to look cool, too.” Preach, Drew. Preach.
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Shop ‘Flower Kids’ exclusively at Walmart.com.
Drew was on The Tonight Show with Jimmy Fallon last night. I’ve added photos to the gallery and you can watch snippets of the interview below. Enjoy!
Drew was on Kelly and Ryan this morning promoting Santa Clarita Diet. Check out 15 high quality photos of her in the gallery.