Sorry for the lack of updates I’ve been busy offline. Drew attended a Flower Beauty last week. I’ve added photos to the gallery as well as additional photos from recent events. Enjoy!
I’ve added digital magazine scans of Drew from Chemist Warehouse‘s store magazine in Australia. Enjoy.
Drew Barrymore Tells Us Her Go-To Derm Treatment, Favorite Skincare Products and the One Item All Women Need
The walls in Drew Barrymore’s NYC bathroom are covered with the happiest kind of art: family photos, plus drawings and love notes from her two daughters. And every square inch of the white-tiled countertop is covered with the happiest kind of chaos: hundreds of balms, creams, serums, and Flower Beauty lab samples, organized with military precision. Five minutes ago, the actor/producer/author/entrepreneur shot a short, sweet and spontaneous how-to video with her new mesmerizing Flower eye pigments. Yesterday, she put in a 17-hour day on the set of The Stand-In, a rom-com in which she plays dual roles: Candy, a discontented movie star, and her eager stand-in Paula. The production will wrap just as Santa Clarita Diet returns to Netflix for its third season this spring. But right now, at this moment, Barrymore has only thing on her mind: excavating a 10-gallon Ziploc bag of sheet masks from the top of her linen-turned-beauty closet.
NewBeauty: I’ve never seen so many sheet masks outside of a K-beauty boutique. How did you get so many?
Drew Barrymore: I made them! I discovered JayJun on my first research trip to Hong Kong for Flower Beauty. I had popped into a drugstore in a subway station underneath a weird mall and grabbed their Baby Pure Shining sheet mask. I tried it and was instantly impressed. Two days later in South Korea, I had already arranged a meeting with the company, and we collaborated to launch three masks [JayJun x Drew Barrymore] in Asia.
NB: When you’re in a foreign drugstore, jet-lagged and you don’t speak the language, how do you shop smart?
DB: It’s almost like going into a wine shop. You’ll see a product on the shelf and something about the label speaks to you, or maybe you’re in the mood for that varietal. If you’re in the mood for a sheet mask, that’s what you’ll focus on. I’m not crazy about trying tons of color cosmetics—you can get those anywhere. For me, it’s all about the skin-care formulas—what’s that latest innovation you don’t have access to because it’s all the way on the other side of the world.
NB: Congrats on winning a NewBeauty award for your lip duo! What inspired it?
DB: What made me fall in love with lipstick was this mid-’80s double-ended lipstick pencil from Shiseido. Both ends had the same shade, but one side was a buttery finish and the other was completely matte. If you love a shade, how brilliant to have it in two different formulas! And then later I would look at someone like J.Lo on TV and wonder why her lips could so prismatically capture the light. So I created a two-in-one, my Flower Mix N’ Matte Lip Duo ($10), with one very wearable color on one side and an illuminating lip gloss in the same tone on the other. It won’t change the shade at all, but will pick up the light. Actually, it’s three-in-one: this end, that end, and the two ends together!
NB: Have you always been a beauty obsessive?
DB: I grew up in a makeup trailer, so I knew what makeup was. All of it. But they don’t really do much makeup on kids. They put you in a chair and put a puff on your nose and make you feel a part of it. While we were making Firestarter, they would spray a lot of sticky, wet, viscous glycerin on my face to look like sweat. I was covered in fake blood before anyone ever put lipstick on me! And then in real life, at night, I was going out with a lot of adults who were certainly wearing makeup. There’s nothing like early ’80s rouge! Boy George and Adam Ant were the thing. At 10, I was at dance clubs wearing eye shadow in a straight line out to my temples. I was really into chartreuse and gold, glittery-fine sparkle, like olive-green snakeskin. I’ve always felt that getting ready for a date is the best part of an evening: It doesn’t even matter if the date isn’t great, you get to take a moment and be feminine. Put on some music and dance while you get ready and do your makeup. I was filming all day yesterday in prosthetics and color contacts, looking at all the glues and adhesives, and fake noses and eye bags, and eyebrow additives. I’m into the theatrics, the art, all the crazy stuff you can do to transform your face, age yourself, change your hair, look like a different person. When I would work with Kevyn Aucoin, he was really into that. He loved making women into other women. He made me into Myrna Loy.
NB:What other tricks have you learned on set?
DB: They used to re-powder women all day long, and after 15 hours of hot lights baking it into your skin, the makeup looked so cakey. High-definition stopped people from piling it on, and everyone got inspired by the rice-paper sheets. It became more about blotting and lifting up the oil rather than trying to matte it with more and more powder. Then there was this perfect storm where makeup in general just got a whole lot lighter. Everything became about tinted moisturizer, instead of heavy base makeup. And color correctors! Which was Ben Nye’s approach: he made up all the glamorous women in film in the ’40s, ’50s and ’60s, and then created his own line 50 years ago. His kids run it today. I love that legacy. Sometimes I like to think my girls will be involved in Flower Beauty one day. Olive would be a chemist and Frankie would come up with all the marketing.
NB:When did you start taking skin care seriously?
DB: When I was a teen, I washed my face with a bar of clear vitamin E soap. Nothing. Moisturizers always broke me out. They still do on my chin. My chin is like a completely different neighborhood on my face, and you don’t go there after dark. Any product that goes on my chin will screw it up. In my late 30s, I started taking my skin seriously. I like scrubs and all of that stuff, and acids and tingling, but I’m still a firm believer in the most gentle face washes. I always want to have a lot of moisturizer and serum, and that’s why I love the new Flower Beauty skin elixir ($16). The goal was to create a formula that makes your skin look like you’ve just left a workout class: pinky, plumped and dewy—like when you have your own body’s blush on your cheeks. My dear friend stole it from me recently, which is a sign she truly likes it. She called it a wake-up for your face and makeup. I love the freshest, dewiest face. I have a phobia of clogged-looking skin. It goes back to watching women’s skin get baked under hot lights.
NB:You’ve tested thousands of products: what’s the one every woman should buy?
DB: At one point in your life, you will need lip liner. That’s what I’ll tell my girls. You won’t think you’ll ever need it, and then one day you’ll see that lip liner isn’t just for fun. It’s a necessity.
NB: Beyond sheet masks, do you have any go-to skin fixes?
DB: I love the Clear + Brilliant laser. I do it once a year to slough away my sunspots. I also try to get a facial once a year, but I just don’t have the time to go more frequently. I’m obsessed with Augustinus Bader’s rich cream ($265) and Shani Darden’s Retinol Reform ($95)—it has a little tingle when you put it on. Dr. Dan’s CortiBalm ($7) is really good for hydrating dry lips. And my Clinique acne gel ($27). I just spot it on any arriving friend from out of town in the form of a zit and say, ‘Go back to where you came from!’”
NB: Do you have any healthy habits you swear by for feeling good?
DB: Just behaving. Being as nice as I can. Not being a total A-hole. Just being in a good mood at work, not losing my cool when my kids lose their cool. Not sweating the small stuff. I’ve realized that even when the little things aggravate you and seem really big and monumental, or even very public within your own circle and you just wish you could hide your problems, you just can’t lose your cool. Be nice through all of it. That’s always when I feel the best, no matter what. Go put it out in some private corner and then show up and just be good to everyone.
NB: Has becoming a mother changed your ideas about beauty?
DB: I do feel like I’m on an upswing. I just went through a couple of hard years, and I can see it wearing on my face. It’s not about aging, it’s about how I am on the inside. There’s also a very long period when you’re raising kids when it takes it out of you. When it depletes your ability to take care of yourself because your new job is doing nothing but taking care of someone else and you love it. I’m not all about working from the inside out—I’m not big on meditation—but I do think your outside cannot hide your inside. I’m now determined more than ever to show my daughters that aging is a luxury. If we’re lucky, we are all going to age. I just want them to be at peace with who they are and not what they look like. If they are good, cool people, that’s all I care about. That said, I feel like people— myself included—have a 2019 new-battery recharge. I’m one of many who are coming out of a semi-difficult hibernation. Like in the spring. And hope springs eternal!
NB: Do you have any advice for women out there who need to recharge their batteries?
DB: Would it be cheating if I said to face mask?
Drew Barrymore is no doubt best-known for her huge Hollywood roles in blockbuster titles — “E.T,” “Charlie’s Angels,” “Never Been Kissed,” and “Donnie Darko” — and while she still plays a major role in the movie and TV industry through her production company Flower Films, a big focus of her life now is situated at the helm of her cosmetics business.
Barrymore founded Flower Cosmetics in 2013, which offers an affordable cosmetics line, sold exclusively at Walmart.
The cosmetics industry has many established players and the sector is extremely competitive; something Barrymore clearly knew a thing or two about when she launched Flower — her ex-husband’s father, Arie Kopelman, is the CEO of Chanel.
Speaking to Business Insider at Advertising Week New York on Wednesday, Barrymore explained the three reasons why she made the leap.
“It was getting my sort of college degree in being a co-creative director for Cover Girl for eight years, being part of the campaigns, and concepts, and marketing, and photography,” she said. “Working with [makeup artist] Pat McGrath and trying to drive the brand into something I felt like could best serve, as well as the women we were trying to reach gave me so much education that it felt like a waste not to do something with it.”
Barrymore then joked: “I’ve also been in a makeup chair since I was 6-years-old and had the fortune of working with the icons of the beauty industry, so learning, being in love with products, pigments, brands, companies, and just being a constant student of makeup.”
She described the third reason as a “hybrid” of the love of makeup and the advertising of it.
“I think there’s such a crucial necessity for positive messaging so that women feel empowered and are not making themselves up to be something else,” she said. “It’s always about being the best you. Who you are inside and your joy levels and a smile is better than any lipstick. It’s sort of anti-makeup messaging, but I think it’s more human-messaging and the rest will fall into place.”
What most surprised Barrymore about running a cosmetics line was the “level of time-consuming anxiety” that comes with constantly attempting to track down the latest innovations.
Barrymore said: “That’s really what the beauty game is all about. It’s about constant new-to-market products. So traveling to labs and creating 30 to 50 new products every single year is so much more all encompassing and consuming than I would have assumed.”
“When we launched, we launched with 180 products and that felt like an undertaking. But every year there are 30 to 50 [new products]. Chasing innovations and being competitive with the labs is one of the most challenging and exhausting [aspects] but when you win a victory, you feel like you want to throw a party. You got that formula? This is a good day,” Barrymore added.
The Flower brand has since expanded into other verticals including eyewear and a recently announced home line. We asked where she might take it next.
“[The idea is] to build the branches of your tree from a nucleus. The nucleus is color cosmetics with Flower: Fragrance, brushes, bags, eyewear — things that naturally evolve and don’t feel like they are greedy and all over the place,” Barrymore said.
“With the [home] line comes the love of home, and design, and lifestyle — those are natural branches to that tree. Slow and steady wins the race and being on point with what you’re trying to do, rather than just throwing it out there and seeing what sticks,” she said.
As far as marketing is concerned, Barrymore remarked that there has never been more content available from beauty bloggers and companies offering makeup “how-tos.”
“If anything, it’s overloaded. Where do I begin to go down the rabbit hole of people showing their knowledge, application, love, passion, their latest thing? It’s all being shared out there and that’s fun to see major companies that used to just rely on TV and print accessing these women bloggers out there and wanting them to talk about their products because it’s a more human channel,” Barrymore said.
As for herself, Barrymore says Instagram is her online channel of choice. The actress, producer, and entrepreneur has more than 5.3 million followers and regularly shares updates about her businesses.
“Instagram: that’s my platform. I need one and one only. I’ve never done Snapchat, never done Twitter. Facebook is important but I’m personally invested in Instagram — that’s my channel,” she said.
Barrymore participated in an Advertising Week New York panel on Tuesday afternoon with her ex-husband Will Kopelman’s father Arie Kopelman, who is the CEO of Chanel, and her ex-husband’s brother-in-law, ad tech company Kargo’s founder and CEO Harry Kargman.
The Daily caught up with Drew Barrymore, who founded her cosmetics line Flower Beauty in 2012, last week at the Financo retail forum in New York where she was in conversation with her father-in-law, the former CEO of Chanel Arie L. Kopelman, about her burgeoning beauty empire and her plans to roll out the concept in China, Australia, the UK, and online.
On never wanting to be a sellout celeb:
“After E.T. an onslaught of product placement opportunities came my way and for someone living in a single mother house in West Hollywood who didn’t have two nickels to rub together, it seemed very enticing. But I remember Steven Spielberg saying, “No. Don’t. Think about the longevity of your career. If you sell out now you can cheapen your message. Somehow at 7 years old it totally clicked and made so much sense to me.”
On saying no to that Covergirl contract:
“After that advice I had an allergy and fear of endorsing anything for the rest of my life. So when Covergirl came knocking, we had a wonderful, inspiring conversation but I said, ‘Thank you so much, I really love your brand but I just don’t endorse things.’ They came back to a year later and said, ‘What if we made you co-creative director and you would be in charge of all the marketing?’ I actually love marketing and would die to go into the advertising business because I think it’s so powerful. Covergirl saw the kind of person I was and gave me an opportunity that they thought might be more inspiring and fitting to me at this time in my life. And I loved it, especially the empowering messages for women. You know, girl dancing in her closet, Helmut Newton timeless style backdrop. These are the kind of women that I relate to because they’re telling you to be your best you, not to be someone else.”
On what inspired the launch of Flower Beauty:
“It was an auspicious aligning of the stars. I had been a co-creative director at Covergirl for seven years and as my contract was ending the woman who was the head of Walmart said she was looking for a different type of venture in her beauty department. So we met and came up with the philosophy of doing luxury goods at mass price point.”
On the concept of mass luxury:
“When you’re forced to think differently, you really do think outside the box. We tried to bring a brand promise and stay true to it and we actually managed to create really expensive high-end luxury formulas at those labs by changing the margins and putting all of our marketing and advertising dollars into the products. Now you see every big company putting their marketing money into social media and Snapchat anyway.”
On taking advice from her father-in-law:
“Arie has been such an amazing sounding board. I would go to him and say, ‘I’m struggling with the packaging, my heart’s over here, my guts over there,’ and he’d say, ‘Walk into a store, look around, tell me everything you see.’ And I would come back to say this and that. Then he would say, ‘Now look around and tell me what you don’t see.’ And it was the best advice ever. Arie and I also talked about the difference between name slapping companies and companies that really are thriving, where you can feel the investment of the people involved who are giving their lives over to it and caring about every piece of it.”
On her idea of success:
“The definition should be relief and employment. And I think it really does come down to the product, the formulas, and they way things are performing. Women know the difference. Flower Beauty is growing by the day. We started in 1,600 doors and now we’re in almost 4,000. We also just launched Flower Eyewear, and we’re number one at Walmart, which I’m very proud to say because I’m relieved it worked. Reviews are important—social media and creating a good marketing campaign that really speaks to women.”
On empowering women through makeup:
“As a woman, makeup is the greatest thing ever. I looked like the Crypt Keeper before I came here. A little foundation and lipstick on my lips and cheeks—and OK, a blowout—and it’s amazing how that has changed my whole perspective and my confidence. If you walk into a room and you’re insecure and looking for people to validate you, you’re screwed. You walk into a room and present who you are with some level of self awareness, confidence, and a kind heart, and you’re on a different cylinder. I think makeup is a great gateway to that.”
On marrying motherhood with the beauty business:
“I come from the world of movies and storytelling, so the story of empowering women has never been so vital to me because I now have two daughters and I am responsible for their journey and raising them into wonderful women. Flower Beauty has enabled me to spend my time being the kind of mother that I really wanted to be. I didn’t want to be on a film set from 5 a.m. until midnight, missing out on my children’s childhood. This way, I can be a businesswoman that wakes up with my kids, feeds them dinner, puts them to bed, and spends my weekends with them. When they’re 16 and slamming the door in my face, then maybe I’ll think about going back to film. But right now, these businesses exercise a different muscle for me. Being in films makes you lazy because you can wake up and be like, I want to be a news anchor today in Paris and you make a film about that, but oh my god the beauty business…wow, it’s challenging.”
On the future as a slow burn:
“Nothing happens overnight. Which is scary, because you want it to financially work overnight. But slow and steady wins the race. The companies that I aspire to be, like Honest and what Gwyneth Paltrow is doing with Goop, have taken years. You can see that it is their blood sweat and tears and it’s isn’t celebrity name slapping. More power to those people.”
Drew spoke with AOL about her beauty line, Flower Beauty and the challenges and rewards of working with her brand.
Drew Barrymore, the award-winning actress, producer, director, author and founder of Flower cosmetics is a force to be reckoned with. Having conquered the film and television industry, the star decided to try her hand in the beauty industry in 2012. Since then, Flower products have rocketed to success, named in Allure’s Best of Beauty Awards and Redbook’s Most Valuable Products. We sat down with her at the Financo CEO Forum on Monday evening to talk all things beauty.
The collection, which is sold exclusively at Walmart, is custom-formulated with the same ingredients used in higher end, luxury makeup. Rather than pay for advertising, all marketing dollars are put into the formula, Barrymore said, which makes the line significantly more affordable and available to a larger demographic of women.
“I’ve always been about an all-ages party, and I really think that goes for economics as well,” the reigning beauty queen said when we sat down with her. “Women deserve to get the same quality makeup at a mass retailer that they do at a department store, and we as a company figured out a way to do that, so that’s our brand promise. And it is really challenging, but it feels really right,” she said.
Instead of paying for print advertisements and commercials, the beauty brand’s sole promotion comes from Barrymore herself and real people who actually love Flower products.
“I have the luxury and ability and privilege of getting to do lots of magazines…which really helps,” the actress said. “And, you know, you can go on shows, but really the social thing for me I find most challenging.”
Social media plays an enormous role in Flower’s marketing strategy. While many companies will buy product endorsements from bloggers and vloggers, Barrymore’s philosophy rests on authentic promotion. “In the social world,” she said, “Authenticity is the name of the game.”
Despite Barrymore’s obvious success as a female leader in the beauty industry, she’s way too modest. “The beauty industry is just like my ego,” she laughed. “It will not allow me to think I’m a leader in anything. It makes me feel like I’ve got to get up every day and work really hard.”
The business is certainly humbling, “but I’m okay with that,” she said. “I like humble pie a lot — I eat it all the time anyway so it’s good. It’s a good business for me.”
The actress and businesswoman’s attitude is inspiring, and has clearly proven rewarding. After a phenomenal year in 2015, the brand has a lot in store for 2016. One of the many new products rolling out in the coming months is a revolutionary lip cream. “It’s like a new innovation in matte,” Barrymore said of the cream, which she was wearing when we chatted. “It’s actually a creamy matte and it is so pigmented and has such amazing staying power that doesn’t fray into the cracks of your lips.”
She was actually wearing two Flower products when we spoke — the foundation and lip cream — and she couldn’t have looked more natural or flawless. There’s no doubt that when it comes to Drew Barrymore, nothing is off limits. A total powerhouse, she possesses business savvy, genuine enthusiasm for her work and a vested interest in bringing great products to as many women as possible. It’s safe to say that here at AOL, we’re big fans of Drew.
Walmart helped launch actor Drew Barrymore’s retail career — but now the Hollywood star is getting ready to spread her wings.
The 40-year-old founder and chief executive of Flower Beauty, a five-year old make-up venture whose products are sold exclusively by Walmart, is launching her own e-commerce web site this year and is in talks with retailers abroad about carrying her assortment of products.
“It’s a big opportunity for us to attract new customers,” the actor said during a presentation at the annual Financo CEO forum, where her father-in-law Arie Kopelman, the former president of Chanel Inc., interviewed her.
Barrymore’s line is marketed as luxury quality sold at inexpensive prices. It includes lipstick from $5 to $7 and eye shadow for $10 and foundation for $14, according to Walmart.com.
The eye makeup is the No. 1 brand sold at discount chain.
Barrymore told The Post she is being approached by international retailers “of all types” and that she would like to introduce Flower Beauty in Australia, the UK, China and South America.
“But I won’t hike up my prices,” Barrymore said of her expansion plans. The actress declined to disclose Flower Beauty’s sales, but pointed to the fact that it’s sold in nearly all of Walmart’s 4,000 stores.
“They would drop us like a hot potato if we didn’t deliver,” she added.
The discounter recently renewed its contract, which excludes international rights.
While Barrymore said she is “proud” to work with Walmart, she conceded that “I get this look when I say I’m exclusive to Walmart, and yeah, I get it.”
The daughter of John Barrymore and a mom or two young girls, Drew has dialed back her acting career to focus on motherhood and her business, she said.
Drew was featured in today’s issue of WWD.
The setting is the Surrey Hotel’s posh Presidential Suite in the heart of Manhattan’s Upper East Side, but when Drew Barrymore comes bursting through the door, her glamsquad in tow, there’s nothing stuffy about her. Wearing jeans, a sweater and brown suede Ugg boots, she briskly directs her team where to set up, changes into something more suitable for photography and gets down to business.
That Barrymore is as focused as she is famous is no surprise. This is a woman who gets things done. In the last year alone, she’s starred in a movie, produced another, written a book (her third), all while overseeing her growing business concerns, including Flower Beauty and the launch of Flower Eyewear, and being a very present—and passionate—mother to her two young daughters.
Barrymore frequently talks about the flexibility afforded by running a business versus the time drain presented by movie production, but she does see some similarities between the two. “Color cosmetics is tough. It’s like movies in that you put in so many weeks, months and years of work for something that can feel short-lived and then it’s right back to work,” she says, snapping her fingers. “But I’m OK with that. I like the do-the-work aspect.” Barrymore’s hands-on approach seems to be paying off: Industry sources indicate Flower’s sales continue to blossom at Wal-Mart, and as the company gears up for 2016, plans call for the launch of e-commerce and international expansion.
Flower Beauty has been in stores for more than three years. How do you describe the growth?
It’s really good roots for the tree we want to grow, which will include multiple branches. The branches change with interests as I evolve as a person. There are branches, like hair or accessories, which seem like natural progressions and I have opened my mind up to things I had no idea I would be opening my mind up to when I started Flower Beauty.